Friday, March 23, 2018



2018 sees the Borracho's 2011 debut album fully remastered and reissued on vinyl via Cursed Tongue Records. Borracho was one of the bands to put stoner and desert rock back on the map and though the band might be seasoned the three gringos behind the stearing wheel are far from done. Quite opposite they seem to age in style and class, remaining everso evident and vibrant. Only a few things in life are for certain; one of them is that Borracho came to play heavy-AF riffs, rock-out and have a good time - and they never left!

CTR-008: Borracho - 'Splitting Sky' 2018 remastered re-issue
**Official release date: May 2018**
Pre-orders start in April.
With Hashteroid we feel that the Cursed Tongue Records roster has been reinforced with some of the illest and hardest hitting punky psych stoner rock this side of the Universe. This is sure to please fans of anything energetic, heavy and ripping. Fans of Mutoid Man will find plenty to dig here. And if you ever wondered how Black Sabbath would sound when played at 78 RPM - plonder no more. Hashteroid has you covered with the energy and metallic drive of Kvelertak and the vocals of Fu Manchu/At The Drive-In paired with a heady dose of thrashy stoner riffery.

CTR-009: HASHTEROID - 'Hashteroid' debut full length album
**Official release date: mid June 2018**
Pre-orders start in May
Some bands need a whole career to make an impression. Wolftooth only needed three tracks to impress on an epic scale and after listening to their EP we just instantly knew that this band are going places. So it was a natural thing to include Wolftooth into the Cursed Tongue Records family of great bands as we feel the music the band purveys is an extension of our love for metal and rock.

Wolftooth hits hard with a unique blend of stoner, 90's alternative rock, hintes of 80's glory and some goddamned heavy riffs that makes this band worth your full attention. So lookout cause Wolftooth is on a mission to bring the "Power of the Riff" to the masses.

CTR-007: Wolftooth - 'Wolftooth' debut full length album
**Official release date: April 20th, 2018**
Pre-orders start March 23rd, 6PM CET:

Thursday, March 22, 2018

Parliament – Live P Funk Earth Tour

I was walking home from school when I saw a very unusual object lying on the side of the road. It was a record album from a band that I had never heard of before. The thing that was even more stunning to me was that someone would leave a record, any record, by the side of the road. I have always treated books and records with the utmost care and respect and I just couldn't imagine how this had happened. The cover was intriguing and I decided that I had to take this home, and if the record itself wasn't all scratched and ruined, I had to listen to it.

The record was Parliament's live classic from 1977. My 14 year old lily white suburban life had been rocked a few months earlier when I heard Richard Pryor's “Bicentennial N****r”, and now this one made it clear to me that I was missing out on something. Listening to both of these albums and discovering that there was a whole world out there that I naively knew nothing about was a very good thing. But it was also a shock to the system. Pryor spoke of experiences that I never imagined, he made me laugh but also think about society, and made me realize that things were not the same for everyone. Hey, I said I was naive.

Parliament was the musical equivalent of Richard Pryor. There was stuff going on in this music that I had never heard before. Dirty limericks, lyrics substituting “funk” for that other “f” word, songs about funky extraterrestrials coming down to earth in the mothership to teach us all how to groove, this music had it all for me. I was already a lover of music at this point in my life, and this just blew the doors open to a whole new world of music. I had never experienced funk before and man, what an introduction this was.

The album itself was recorded over two nights in January of 1977 and captures what a potent band they were at that time. Some songs are really not much more than George Clinton singing/speaking over a groove, but man what a groove. The audience sounds like they are all having the time of their lives and its not hard to hear why. The band just clicks and there are some monstrous extended jams with both the vocalists and the instrumentalists showing off their chops. Even listening to this today, more than 40 years later (that just can't be possible!) this is music that is fun and funky, freaky and psychedelic, and just an outright good time. I have somehow never done this, but I bet if you put this on at a party the mood would change instantly for the better.

So thank you George Clinton for introducing this naive white boy to the much wider world of funky aliens, one nation under a groove, and the awesome power of a fully operational mothership. On a more serious note, thank you also for opening my eyes and my mind to the fact that people of different races did not have things the same. I did not know many people of color at the time I discovered this album, but it gave me a bridge that allowed me to connect with people who loved a good groove regardless of what they looked like. Finding the funk made me a better person, a more understanding person, a more compassionate person. All because of an album I found by the side of the road.


Wednesday, March 21, 2018

The Xroadie Files

Anguish – Magna Est Vis Suignah
J. Dee – Vocals/Bass, David – Guitar, Linus – Guitar, Rasmus Drums

Blessed be The Beast evil sounds and growls that meld into a dark heavy metal riff that moves its way slowly to devour you.  Magna Est Vis Suignah more slow droning heavy riffs like old Sabbath and stoner rock that is like a steamroller stuck in low trying to run you over.  Of The Once Ravenous traveling thru time and space and not sure where you are just drifting along with the heavy beat and dark death vocals.  Requiescat In Pace continues the death /stoner onslaught of slow moving riffs with lots of dark intent.  Elysian Fields of Fire being slowly let down into a pit of fire and its consuming your very soul.  Our Daughters Banner walking down a dark and lonely road with no end in sight and shadows moving all around you.   

The Cops – First Offense
Tony Fulco, Jeff Smith, Geo White, Philip Smaller, Brandon Barger, Halston Luna, Casey Kemp

Homicide fast heavy punk beats with some melody and yelling vocals get ready to bounce around.  Life On The Beat take a ride back to the time when punk was king of the mtv airwaves.  Street Hooker Love the pit moves and moshes and bounces to this melodic punk song.  Police Brutality more melodic power pop punk rock to just jam along with.  Nightstick fast heavy melodic power punk with sing along vocals.  Paraphernalia a slower heavy beat to bop along with and slam into the pit.  Repeat Offender the pit forms and people slam into each other as this song moves along.  Downtown reminds me of The Clash meets the Sex Pistols.  Hot Pursuit heavy punk guitar riffs sing along vocals and a catchy beat.  Protect And Serve fast and faster as the mosh pit goes into a frenzy.  Riot Tonight a rockabilly meets punk song with lots of sing along vocals.

Corrosion of Conformity – No Cross No Crown
Pepper Keenan – Vocals/Guitar, Woodroe Weatherman -  Guitar, Mike dean- Bass/Vocals,
Reed Mullin – Drums/Vocals

Noves Deus has the sound of a heart beat and heavy slow Sabbath style guitar riffs and eerie sounds along with searing leads it’s an intro into.  The Luddite continues the great heavy riff and builds into a complete song with yelling style vocals.  Cast The First Stone has one of those riffs that would be great to just jam down the road to while. driving.  No Cross slow steady Bass and guitar with some strange sounds is the intro into.  Wolf Named Crow which has some screaming guitar leads and a great head banging riff and great drums.  Little Man get ready to just kick back and jam to this fine tune.  Matre’s Diem is a nice mellow acoustic piece.  Forgive Me a fist pumping head banging sing along metal /stoner song.  Nothing Left To Say is a slower southern/cajun style with some excellent melodies and that moves back and forth from heavy to mellow close your eyes and just jam away.  Sacred Isolation eerie sounds and a piano/guitar slowly build.  Old Disaster is a Sabbath style of riff with lots of great musicianship and emotion.  E.L.M. excellent twin leads great riffs and a vocal that easy to sing along with get ready to rumble.  No Cross No Crown weird sounds in the distant then a slow melodic melancholy riff /vocals.  A Quest To Believe (A Call To The Void) a heavy driving rhythm slow and steady with a grinding riff.  Son And Daughter weird guitar spoken word then a extremely heavy beat that just drives its way thru your very soul.

Mangoo -  The Heat
Richard Dahllund – Guitar/Vocals, Mathias Akerlund – Guitar, Igor Del Toro – Bass,
Teemu  Pulkinnen – Drums, Niklas Bjorklund- Keyboards

Relief an excellent metal riff great rhythm section and soaring vocals great way to start out this album.  Get Away has an excellent melodic beat that just takes you away to a different time and place.  Beyond The Sky is a slow steady riff that is Sabbath in style with lots of emotion.  Monolith has a rockabilly style of riff and beat to move and groove along with.  One Day some excellent guitar then the band kicks in and takes you down a strange trip but with a head banging sound.  Deification is a great fist pumping head thrashing song that will have you tired by the end.  Tiembla awesome drumming bass pounding guitar riffing sing along metal song.  Stumbling Man, a very melodic psychedelic style of song that takes you back to the 70s.  The Heat builds slowly with strange sounds then moves back and forth from heavy to melodic with some soaring leads.  Grey Belly get ready to take a trip back to the late 60s early 70s of psychedelic rock and some awesome guitar leads.  Party All the Time an excellent metal version of the Eddie Murphy hit song. 

Mr. Plow – Maintain Radio Silence

Justin Waggoner – Guitar/Vocals, Jeremy Stone – Guitar/Vocals, Greg Green – Bass,
Cory Cousins - Drums

Sigil has a slow stoner style of riff with a very catchy melodic feel and some excellent psychedelic vocals.  Samizdat is more of a mid-tempo heavy rock song with lots of pounding drums and rumbling bass.  Shaolin Cowboy get ready to rock and jam away with this riffing song.  Matchstick fist pumping heavy riffing with feedback and lots of emotion.  Memento will have you playing air guitar and singing along to a great stoner rock song.  Johnny Gentle has some excellent bass that melds its way thru the song with great drumming and very emotional guitars.  Million Bucks is a fist pumping metal riff that will also have your feet moving and head banging.  Maintain Radio Silence some great lead guitar that just pierces right thru you and takes you on a trip with the rest of the instruments.  Spark Arrester has an almost punk thrash feel to the music mixed with stoner rock.  Hammer Smash Face is an excellent psychedelic riffing song.  Paxton feedback riffing guitars screaming leads with great drums and pounding bass get ready to rock out.  Southbound more excellent emotion lead guitar with a stoner meets southern rock style and feel.  


Tuesday, March 20, 2018

Marillion From A Swedebeast's Point Of View

Marillion - This Strange Engine

By the time Marillion released ‘This Strange Engine’ I had stepped away from them completely. Sure, I saw ads here and there for the album but sadly my interest in these amazing guys was gone. It probably took 8 long years before I listened to it and duly kicked myself – again – for my stupidity, because it is really good. It might not hit the heights of other Marillion albums, but it is very good nonetheless. And the song ‘Estonia’ alone is worth it’s weight in gold, but more on that later. We all change through the years, whether we like it or not, so who knows what my reaction to ‘This Strange Engine’ would have been back then if I had given it a shot. Of course, we will never know, however I really like this wax a lot nowadays. And that’s what matters, right?

There’s a big acoustic guitar influence on opener ‘Man Of A Thousand Faces’ helping the song to keep a dreamy vibe to it. You know, it feels lofty and soaring and kind of relaxing. Backed smoothly by Messieurs Kelly, Trewavas and Mosley, Rothery’s acoustical prowess is beautiful, while Hogarth guides us through the time of Man, basically. He shows there’s a common thread that runs through centuries and cultures which really doesn’t differ, and subsequently hasn’t changed much through the years. ‘One Fine Day’ is slightly more electric in approach but it is sad and mournful dealing with regret and missed opportunities due to wishing your life away. Instead of jumping on a chance, you let everything slip by and suddenly it’s too late to do anything. ‘Eighty Days’ is a more upbeat composition. It is still heavy on the acoustic guitar but being a homage to the band’s supporters who travels far and wide under all kinds of circumstances to attend their shows. Not only that though, it speaks of the dullness of being on the road, how mind-numbing it can be. But come stage time seeing all those happy, excited faces in the crowd blows away every ounce of tediousness. ‘Estonia’ is one of the most powerful and emotional songs I’ve heard from any band ever. It’s a haunting, yet beautiful song composed in memory of the 852 passengers who tragically perished when the ferry, MS Estonia, sank in the Baltic Sea on route from Tallinn, Estonia, to Stockholm Sweden, September 28th 1994. The interaction between especially Rothery and Kelly brings out the nautical aspects amazingly well. This adds to the heart-break you feel throughout as Hogarth churns out the horrors the passengers must have felt. At the same time it feels like the band offers some kind of solace because these people will never be forgotten.

Very sparse musically, ‘Memory Of Water’ is sombre and lamenting. It could be about someone who is about to leave his/hers earthly existence reflecting back on what has been, if things back home are still the same or if changes has occurred. It could also be about mankind and what has happened to it through the years. Regardless, this is a beautiful bleak song. Released back in 1997, the song ‘An Accidental Man’ couldn’t be more poignant and on point. The heaviest song on ‘This Strange Engine’, it builds up gradually which adds to the anger felt in the lyrics. And speaking of which, the words penned are so up-to-date dealing with people who are duped and shaped into thinking and acting a certain way. The frustration and anger comes out as the protagonist realizes what he’s been through, but by then it’s all too late. Call it sheep-mentality, if you will, but this joint Hogarth/Helmer effort could be taken straight from 2018, where governments and media wants to shape everyone into robots basically. You can’t have a Marillion album without a curveball or an odd one out, so to speak. ‘Hope For The Future’ is definitely this coming on strong with a blend of calypso, rock and a ton of fun! It probably confused supporters upon it’s release but works perfectly in breaking the mold, allowing everyone involved a moment to breathe, recuperate and have fun. The fantastic title track ends this affair and it covers all the emotions and feelings there is during the 30:24 it lasts. Written about giving up on your dreams to provide for and protect your young family, it is intertwined with a child’s memory of seeing your parent doing this. Almost 4 minutes in the music kicks in with a heavy riff from Rothery and the band cuts corners before slowing down again, hence the great display of emotions and feelings. The long play time is only available on the European version is a trick as it actual ends at 15.34, but make it through 15 minutes of silence and you’ll be treated to a surprise. I won’t tell you what it is but, dear wave rider, if you’re a Marillion supporter you’ll love it.

‘This Strange Engine’ was a first for the band. The ties with EMI had been cut and in came Castle, which probably wasn’t the wisest move at first. At least not in a mainstream point of view. Creatively it was a deft move because it is so easy to hear the freedom in the music. A big part of the followers were positive and it sold decently. In hindsight it also sowed the seeds to the extremely tight knit relationship Marillion formed with their supporters which has been so helpful on future adventures. To tie back to an earlier statement, I don’t know how I would have reacted to this release had I listened to it back then. All I know is I really like it, probably a lot more than I would have back in 1997.


Monday, March 19, 2018

CORROSION OF CONFORMITY Announces Latin American Headlining Dates + Second Leg Of North American Tour With Black Label Society And Eyehategod

[Photo by Dean Karr]

CORROSION OF CONFORMITY is pleased to announce a six-date Latin American tour this May. The trek, slated to run from May 12th to May 19th, includes performances in Brazil, Argentina, Chile, and Mexico. The band will then perform several European festival dates in June before returning to North America to kick off the second leg of their tour supporting Black Label Society this summer. Set to commence July 14th in Cadott, Wisconsin, the tour will make its way through nearly two dozen cities, coming to a close on August 11th in Sayreville, New Jersey. Additional support will again be provided by Eyehategod. See all confirmed dates below.

CORROSION OF CONFORMITY continues to tour in support of their critically lauded No Cross No Crown full-length, released in January 12th via Nuclear Blast Entertainment. Captured in North Carolina with longtime producer John Custer, the record marks the first studio recording with vocalist/guitarist Pepper Keenan in over a decade and, earning the #67 spot on the Billboard Top 200 Chart, #12 on the Billboard Top Current Albums Chart, and #3 on the Top Hard Music Albums Chart upon its first week of release, is the highest charting album of the band's career!

No Cross No Crown is available on CD, digital, vinyl, and cassette formats. Various order bundles are available at

Watch the band's video for "The Luddite" as well as their animated clip for "Wolf Named Crow" HERE.

5/12/2018 Vic Club - Sao Paulo, BR
5/13/2018 Teatro Odisseia - Rio De Janeiro, BR
5/15/2018 Uniclub - Buenos Aires, AR
5/16/2018 Blondie - Santiago, CL
5/18/2018 Escena - Monterrey, MX
5/19/2018 Circo Volador - Mexico, MX
End Tour
6/09/2018 Download - Donnington Park, UK
6/18/2018 Orion - Rome, IT w/ Converge
6/19/2018 VAZ Hafen - Innsbruck, AU w/ Converge
6/20/2018 La Belle Electrique - Grenoble, FR
6/22/2018 Hellfest - Clisson, FR
6/23/2018 Copenhell - København, DK
6/24/2018 Graspop - Dessel, BE
w/ Black Label Society, Eyehategod:
7/14/2018 Cadott Rock Fest - Cadott, WI
7/15/2018 Inkcarceration Music Festival - Mansfield, OH
7/16/2018 Monarch Music Hall - Peoria, IA *
7/17/2018 The Forge - Joliet, IL *
7/18/2018 20 Monroe Live - Grand Rapids, MI
7/20/2018 Bourbon Theatre - Lincoln, NE
7/21/2018 Diamond Ballroom - Oklahoma City, OK
7/22/2018 Cotillion Ballroom - Wichita, KS
7/23/2018 The District - Sioux Falls, SD
7/25/2018 The Clyde Theatre - Wayne, IN
7/27/2018 Si Hall At The Fairgrounds - Syracuse, NY
7/28/2018 Impact Music Festival - Bangor, ME
7/29/2018 The Webster - Hartford, CT*
7/30/2018 The Queen - Wilmington, DE
8/01/2018 The Mill & Mine - Knoxville, TN
8/02/2018 The Fillmore Charlotte - Charlotte, NC
8/03/2018 Phase 2 - Lynchburg, VA
8/05/2018 The Norva - Norfolk, VA
8/07/2018 Rebel - Toronto, ON
8/08/2018 Metlus - Montreal, QC
8/09/2018 Sherman Theater - Stroudsburg, PA
8/10/2018 Paramount - Huntington, NY
8/11/2018 Starland Ballroom - Sayreville, NJ
* No Eyehategod

"The record is filled with the kind of Sabbath meets Black Flag meets Lynyrd Skynyrd jams that were so infectious and wildly influential back when Bill Clinton seduced interns...COC doesn't try to change direction but instead revisits the approach that made the Keenan-fronted version so successful: powerful hooks, instrumental asides that will remind you of Sabbath's 'Planet Caravan' and a rich use of textures and dynamics..." - Decibel

"...burly, surly and southern-fried - basically, everything fans could hope for." - Revolver

"... these motherfuckers have been at it forever, and they've just made their best album in twenty years." - Team Rock

"...a release that proves that the gentlemen are back on their game and ready to rumble." - Blabbermoutth

"...powerful and unstoppable as an avalanche." - Kerrang!

" good it should really be toured in full, played from top to bottom as a complete movement of music." - PureGrainAudio

"...undoubtedly one of finest releases in CORROSION OF CONFORMITY's storied career." - Pop Matters

"...where 35-plus years from getting started, most artists still active have long since slid into a mediocrity of form in playing to what's expected of them, COC here sound reinvigorated and offer a reminder to all willing to hear it of a big part of what made them who they are in the first place." - The Obelisk

"... a rare example of a classic line-up coming back to make music and killing it in the process." - Sputnik Music

SAM LEVIN - First World Problems


Sam Levin just released his new single, "First World Problems" from his upcoming full-length album, I Am. When he was five years old, Levin began playing guitar, a Fender Mini Strat, and at age 12, he dropped his debut EP, I'm In Here. His music style is a mixture of Indie, acoustic, and a little rock.

Sounding both retro ‘90s and modern at the same time, he infuses a slick sound with fun, relate-able lyrics that make for a track that stands up to repeated listens. The song is super catchy and will get you singing along after the first listen.

If this is any indication of the songs on his upcoming album, then we have a killer set to listen to and play over and over. His talent is well beyond his years and that’s an awesome thing to hear.

-Rick Ecker

Sunday, March 18, 2018

A Ripple Conversation With Gregg Emley Of Holy Grove

When I was a kid, growing up in a house with Cat Stevens, Neil Diamond, and Simon and Garfunkel, the first time I ever heard Kiss's "Detroit Rock City," it was a moment of musical epiphany. It was just so vicious, aggressive and mean. It changed the way I listened to music. I've had a few minor epiphany's since then, when you come across a band that just brings something new and revolutionary to your ears.

What have been your musical epiphany moments?

I have really distinct memories of hearing Master of Puppets for the first time in 88/89 or so, followed shortly after by hearing Paranoid for the first time. I already loved music at that time, but I was more into U2, The Cure, R.E.M....more "college radio" type stuff like that. I remember hearing Battery and thinking it was the heaviest thing I'd ever heard. I had never heard a palm muted guitar, aggressive sounding vocals, double was definitely transformative. Of course after that I couldn't go back to my U2 records. My memory of hearing the song Paranoid is also similar...My cousin called me and was like "you have to hear this band!" and he held the phone up to the speaker and played it to me over the phone. I begged my mom to take me to buy the tape the next day.

Talk to us about the song-writing process for you. What comes first, the idea? A riff? The lyrics? How does it all fall into place?

For us, it's usually a riff or two that will get the ball rolling. Trent (guitar) or I will come with an idea or two, and we'll talk about what we're envisioning the song to be a little bit, and bring it to practice. Once the song gets to closer to having a solid structure, Andrea starts working on melodies and lyrics. It's a pretty constant process of collaboration across the whole band before we feel like a song is ready.

Who has influenced you the most?

For me personally as a musician I'd say Cliff Burton. He made me want to play heavy rock bass on a Rickenbacker with a fuzz pedal. I'm still not sure there is much better than Anesthesia turned up really loud. If I had to pick a band, I'd say Rush. Not that they influence our sound necessarily, but the way they have stuck to their vision, they aren't afraid to try new things with their music, and they've maintained a friendship and sense of humor for 40 years. That's tough to do.
We're all a product of our environment. Tell us about the band's hometown and how that reflects in the music?

We're from Portland, OR. I don't know if that necessarily reflects in our music so much as I am hesitant to say that there is a specific "Portland" sound. I think the biggest way the city seeps in to our music is through the supportive community of artists and musicians we're surrounded by. There is very little competition between bands, everyone is happy to see everyone, and the city is small enough that you know everyone in the scene and give em all hugs and high fives when you see them at shows.

Where'd the band name come from?

Our name was chosen after a long deliberation process. We didn't have a name for the first few months of a band. I think we really wanted to find something that was unique, was appropriately heavy sounding and would look good on a flier. It was definitely one of those things that when it was suggested we all instantly said "that's it!" Total agreement across the board after all having different opinions and suggestions for months.

You have one chance, what movie are you going to write the soundtrack for?

Good one! I'm a huge comic/sci-fi fan so....let's say the Swamp Thing movie they'll end up re-making someday, or perhaps if they ever re-make Dune. Those would probably be the top 2. Maybe if they ever make a movie out of Samuel Delany's Dhalgren. That would be fun.

You now write for a music publication (The Ripple Effect?).  You're going to write a 1,000 word essay on one song. Which would it be and why?

Hmmm...that's a tough one. My first instinct is to say a Rush song, because those guys always have interesting ideas in the music and the lyrics, so there would be plenty of material to work with and write about....How about By-Tor and The Snow Dog. Definitely my favorite of their pre-2112 stuff. You can really hear them pushing themselves and their sound and I think it's the first glimpse of what they would eventually turn in to.

Come on, share with us a couple of your great, Spinal Tap, rock and roll moments?

I'm probably going to jinx myself, but I haven't had too many of those, thankfully. One that kind of sticks out is when we toured Europe last year, the 2nd or 3rd show of the tour was on a beautiful beach somewhere in Italy. They served us this amazing 3 course meal,  bottles of wine, etc and they put us up in an amazing bed and breakfast type place. We were all talking that night about how great Europe treated bands, how great being on tour night we slept in a punk squat and I woke up in the morning with kitty litter stuck to my face and in my hair...

You're just about to hit the road, tell us about playing live and the live experience for you and for your fans?

The live show for us is the most important thing. We all love seeing live music, and being blown away by a good live band is one of the more rewarding experiences I feel like you can have with music. We strive to bring energy and urgency to our live show, and do our best to put on a good show. I think it's important for fans to see you working up there. No one likes a band that just stands there looking bored.

What makes a great song?

Hmmm...that's hard to say...I'm inclined to say it's a "you know when you hear it" type thing. Of course, for me, I love good riffs, good feel, powerful vocals, big drums... but I feel there is something undefinable to a "great" song.

Tell us about the first song you ever wrote?

My first band basically consisted of us playing Ramones and Minor Threat songs really poorly, and I'm not sure we even knew a whole song from beginning to end, so we'd basically only play the parts we could figure out. We had an one or two originals that were along those same lines...basically re-written versions of Blitzkrieg Bop.

What piece of your music are particularly proud of?

I am extremely proud of all of our new songs, and that's not just a phoned in answer. We've put in a tremendous amount of work in on them, and tried our best to really take our writing to a new level. It's hasn't always been an easy process, but it's been very rewarding for all of us, I think.

Who today, writes great songs? Who just kicks your ass? Why?

I gotta go with Yob. They just keep getting better and better. I love how they progress a little with each record, but still have that unmistakable Yob sound. No one better, in my opinion. For more singer/songwriter stuff, Joanna Newsom. Her record Ys is truly a masterpiece. Music, lyrics, arrangement, clarity of's all there.

Vinyl, CD, or digital? What's your format of choice?

I'm a vinyl guy. Nothing compares to holding the cover in your hand while listening, looking at big full size artwork, reading along with the lyrics.

Whiskey or beer?  And defend your choice.

Both! Two great tastes that taste great together. I think Bob Dylan said that.

We, at the Ripple Effect, are constantly looking for new music. What's your home town, and when we get there, what's the best record store to lose ourselves in?

We're based out of Portland, OR. My two most frequented shops in town are Crossroads, which is great for back-filling your collection and finding all the older records you need to complete and add to it, and for newer stuff I go to 2nd Avenue Records. Great shop for metal/punk records!

What's next for the band?

We're headed out on a West Coast tour from 3/15-3/26. We'll be playing a bunch of new songs before we head in to the studio to record them in April. After it comes out we hope to hit the east coast and then make our way back to Europe.

Any final comments or thoughts you'd like to share with our readers, the waveriders?

Thanks for reading! Come see us on tour and we'll give you high fives. Cheers!
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